R. Crumb Reviewed in The Guardian
‘Robert Crumb review – sexual deviancy elevated to an art form’ by Eddy Frankel
2026
R. Crumb Interviewed in Cultured Magazine
'R. Crumb and George DiCaprio Talk Autoerotic Asphyxiation, Astral Projection, and Acid Trips' R. Crumb and George DiCaprio in conversation
2025
R. Crumb in LAist
“Cartoonist R. Crumb’s new work has a message” by Julia Paskin
October 2025
The Dark Weirdness of R. Crumb
The Atlantic, feature by Gal Beckerman
R. Crumb Looks Back
The New Yorker, feature by Bruce Handy
‘Crumb’ does not shy away from the cartoonist’s faults — just as he wanted
Los Angeles Times, review by Chris Vognar
R. Crumb Means Some Offense
The New York Times, profile by M.H. Miller
2022
Cancel Culture Comes for Counterculture Comics
Reason, article by Brian Doherty
2019
R. Crumb on His Career-Spanning Show at David Zwirner, Political Cartoons, and His Ukulele
ARTnews, by Annie Armstrong
R. Crumb’s Portraits of Aline and Others
The Paris Review
Robert Crumb: 'I am no longer a slave to a raging libido'
The Guardian, by Nadja Sayej
The Knotty Legacy of Weirdo, R. Crumb’s Underground Comix Magazine
Hyperallergic, article by Tanner Tafelski
R. Crumb's Dream Diary
The Brooklyn Rail, article by Lily Majteles
Nick Gazin's Comic Book Love-In #114
Vice, article by Nick Gazin
2016
Cartoonist R. Crumb Returns with 'Art and Beauty' in July
Publishers Weekly, article by Calvin Reid
Robert Crumb: 'I was born weird'
The Guardian, artist interview by Claire Armitstead
R. Crumb: An American Scribe and Counter-Cultural Comic Icon
i-D, article by Ian McQuaid
Celebs in Comic Form! See Artist R. Crumb Transform Coco Austin, Lady Gaga and More
People, article by Diana Pearl
R. Crumb: Art and Beauty
Time Out London, review by Gabriel Coxhead
R. Crumb "Art and Beauty" @ David Zwirner, London
Juxtapoz
An Art-World Prankster Goes Digital
T: The New York Times Style Magazine, article by Rob Sharp
Robert Crumb: In the Studio
The Telegraph, artist interview by Lucy Davies
This Week's New Exhibitions: R. Crumb, London
The Guardian, article by Oliver Basciano
