Louis Fratino: Satura

Publisher: Mousse Publishing

Publication Date: 2025

Edited by Stefano Collicelli Cagol. Texts by Stefano Collicelli Cagol, Giorgio Di Domenico, Filippo Bosco, Chiara Portesine, and Michele Bertolino

Following the great success of the first edition of Louis Fratino: Satura—the volume accompanying the first institutional solo exhibition of the American artist held at Centro per l’arte contemporanea Luigi Pecci, Prato—Louis Fratino has revised and expanded the publication to include images of all the new works created specifically for the show.

Louis Fratino: Satura highlights the profound connection between Fratino’s practice and Italy, a country that has offered the artist with a wide range of topics, imagery, and sensibilities: bridging relationships, emotions, and landscapes, ultimately leading to reflect upon his own art. Satura includes artworks from the past decade, alongside numerous new pieces, providing a comprehensive exploration of the artist's practice.

The works presented in this richly illustrated volume draw inspiration from twentieth-century Italian artists such as Filippo de Pisis, Mario Mafai, Costantino Nivola, Felice Casorati, Carlo Carrà, Fausto Pirandello, and Guglielmo Janni; from the immersive experience of Italian landscapes and cities like Rome, Milan, and Genoa; and from an in-depth exploration of Italian culture, through the reading of poems by Sandro Penna, Patrizia Cavalli, Pier Paolo Pasolini, and writings by Italian gay activist Mario Mieli.

The special cover-poster features the painting Garden at dusk.

Details

Publisher: Mousse Publishing

Artist: Louis Fratino

Publication Date: 2025

ISBN: 9788867496563

Language: Italian / English

Binding: Softcover

Dimensions: 10.5 x 13.5 in | 27 x 34.5 cm

Pages: 164

Artist and Contributors

Louis Fratino

Louis Fratino (b. 1993) creates paintings, drawings, and sculptures that depict intimate personal experiences and domestic affairs, frequently centering contemporary queer life and the male body. In portraying all manner of subjects garnered from his immediate circles and through observation, he connects an exuberant palette of bold, high-contrast colors with expressive figuration that cites his considered study of classical and modern Western art history and literature.

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