Exceptional Works: Joe Bradley

Country Heel, 2025

Oil on canvas
 Framed: 53 1/4 x 68 x 2 3/8 inches
 134.6 x 172.7 x 6 cm

“Intuition is everything. The thinking mind—the rational, problem-solving mind—tends to get in the way.”

—Joe Bradley

American artist Joe Bradley (b. 1975) is widely recognized for his expansive visual practice that encompasses painting, sculpture, and drawing. His body of work has ranged from a modular, minimalist style to rough-hewn, heavily worked surfaces and refined, layered compositions that, as critic Roberta Smith notes, “balance gracefully between representation and abstraction.”

Country Heel (2025) is from a group of paintings debuted in Animal Family, the artist’s 2025 solo exhibition at David Zwirner London. In November 2025, a major survey of his work from the past ten years will open at Kunsthalle Krems, Austria.

Bradley in his studio, New York, 2025. Photo by Weston Wells

“I try to pay attention to every inch of the surface. It’s important that it is my hand, that the painting has passed through my body to become what it is.”

—Joe Bradley

Joe Bradley, Country Heel, 2025 (detail)

In Country Heel, figurative elements—which Bradley had begun to develop in previous paintings—emerge as central compositional structures. One of several horizontal compositions in the show, this painting features black contour lines and shapes that serve as scaffolding for swaths of color, floral blots of brushy paint, and scraped and stippled textural patches; these coalesce into hulking, animal-like forms that fill the surface of the canvas. Bradley builds up these forms until they achieve a loose balance between an assembled whole and disparate parts, establishing tension in the work between cohesion and dissolution.

Bob Thompson, An Allegory, 1964. Whitney Museum of American Art, New York, NY, gift of Thomas Bellinger. © Michael Rosenfeld Gallery LLC, New York, NY. Courtesy of Michael Rosenfeld Gallery LLC, New York, NY

Marsden Hartley, Berlin Series No. 2, 1914

“I've always liked the idea of building a painting rather than composing a painting,” Bradley has explained. “And these ... to my mind, they look a little bit sculptural.” Like the other works in Animal Family, Country Heel was created over a long period of time and began with a process of free improvisation.

The painting’s vibrant, dynamic composition echoes works such as Picasso’s Le Baiser (The Kiss) (1925), as well as the work of Bob Thompson, whom Bradley has cited as a direct influence on his work—in particular for his use of bright color. Through a collage of energetic forms, outlines and textures, Country Heel evokes an atmosphere of pageantry seen also in art-historical examples such as Marsden Hartley’s Berlin Series, in which the artist synthesizes cubism and German expressionism to create abstract portraits filled with overlapping symbols and forms.

Installation view, Joe Bradley: Animal Family, David Zwirner, London, 2025

Installation view, Joe Bradley: Animal Family, David Zwirner, London, 2025

Installation view, Joe Bradley: Animal Family, David Zwirner, London, 2025

Installation view, Joe Bradley: Animal Family, David Zwirner, London, 2025

 

“Brightly colored primal forms emerge and dissolve, interspersed with recognisable details.... Everything is slippery here, constantly oscillating between chaos and cohesion. Bradley is a stylistic shapeshifter, who typically rejects the fine-tuning of old ideas in pursuit of bold new ones and with Animal Family, he has broken new ground yet again.”

—Finn Blythe, art critic

Joe Bradley, Country Heel, 2025

Bradley’s work is held in distinguished public collections including the Buffalo AKG Art Museum, New York; Fondation Louis Vuitton, Paris; The Museum of Modern Art, New York; and the Whitney Museum of American Art, New York.

His work has been included in important group exhibitions at the de la Cruz Collection, Miami (2019 and 2020); The Brant Foundation Art Study Center, Greenwich, Connecticut (2017 and 2018); Kunstmuseum Bonn, Germany (2015); The Museum of Modern Art, New York (2014); and MoMA PS1, New York (2013). In 2008, Bradley was selected to participate in the Whitney Biennial.

In November 2025, a major survey exhibition will open at Kunsthalle Krems. Featuring approximately seventy works from the last ten years including paintings, drawings, and sculpture, this will be Bradley’s first museum exhibition in Austria.

Joe Bradley in his studio, New York, 2025. Photo by Weston Wells

Joe Bradley: Animal Family