Exceptional Works: Joe Bradley
Country Heel, 2025
Oil on canvas
Framed: 53 1/4 x 68 x 2 3/8 inches 134.6 x 172.7 x 6 cm

Bradley in his studio, New York, 2025. Photo by Weston Wells
Joe Bradley, Country Heel, 2025 (detail)

Bob Thompson, An Allegory, 1964. Whitney Museum of American Art, New York, NY, gift of Thomas Bellinger. © Michael Rosenfeld Gallery LLC, New York, NY. Courtesy of Michael Rosenfeld Gallery LLC, New York, NY

Marsden Hartley, Berlin Series No. 2, 1914
“I've always liked the idea of building a painting rather than composing a painting,” Bradley has explained. “And these ... to my mind, they look a little bit sculptural.” Like the other works in Animal Family, Country Heel was created over a long period of time and began with a process of free improvisation.
The painting’s vibrant, dynamic composition echoes works such as Picasso’s Le Baiser (The Kiss) (1925), as well as the work of Bob Thompson, whom Bradley has cited as a direct influence on his work—in particular for his use of bright color. Through a collage of energetic forms, outlines and textures, Country Heel evokes an atmosphere of pageantry seen also in art-historical examples such as Marsden Hartley’s Berlin Series, in which the artist synthesizes cubism and German expressionism to create abstract portraits filled with overlapping symbols and forms.

Joe Bradley, Country Heel, 2025

Joe Bradley in his studio, New York, 2025. Photo by Weston Wells

Joe Bradley: Animal Family