Anyone who doubts that good old painting can produce significant art today might find confirmation in Dana Schutz’s exhibition “Between Us” in Humlebæk, Denmark.
The densely packed opening of a comprehensive survey of the American artist's work at the Louisiana Museum of Modern Art is rather old-masterly. How can such giant paintings, bursting with paint and varnish, even be transported? "The Wheel" from 2022, for example, is a panorama measuring just under fifteen square meters.