Sosa Joseph: Rain over the river

Installation view, Sosa Joseph: Rain over the river, David Zwirner, New York, 2025 

Now Open

November 7—December 20, 2025

Opening Reception

Friday, November 7, 6–8 PM

Location

New York: 69th Street

34 East 69th Street

New York, New York 10021

Tue, Wed, Thu, Fri, Sat: 10 AM-6 PM

David Zwirner is pleased to announce an exhibition of new paintings by Indian artist Sosa Joseph (b. 1971) at the gallery’s East 69th Street location in New York. This will be the artist’s first show in North America, and it follows Pennungal: Lives of women and girls, her 2024 solo presentation at David Zwirner London.  Quasi-autobiographical yet enigmatic, the paintings in Rain over the river reflect on the particularities of life in Parumala, an island village situated on the Pamba River in the South Indian state of Kerala, where the artist spent the first twenty-four years of her life. As she recalls, the banks of the Pamba would flood every year during the rainy monsoon season, forcing large populations to seek refuge in makeshift camps and public shelters. For Joseph, this rain offers an array of symbolic resonances, standing in for emotional suffering and strife as well as the physical ordeals heralded by the monsoon. Oscillating between sobering reportage and intimate psychological reminiscence, her work offers an alternative approach to the artistic tradition of history painting—one in which everyday moments take on the heft of the extraordinary, and individual narratives coalesce into a richly tapestried collective history.  Read a statement from Sosa Joseph.

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Sosa Joseph, Amma wants to finish singing before the flood drowns her, 2024-2025 (detail)

“I come from a rain-drenched riverbank. Apart from the river, which always flowed by, the phenomenon that governed our being was the rain. Its presence or absence did not merely mark the seasons—it shaped the very fabric of our consciousness.”

— Sosa Joseph in an artist statement. All subsequent quotes by the artist are from the same source.

“We lived through alternating spells of rain and rainlessness [...] When it poured without end, flooding the riverbank and driving us away from our homes—making us refugees of rain—we prayed for it to stop. Yet when it finally went away—we never knew where—it left a silence so deep and hollow that we longed intensely for its return.”

“Even in its total absence, the rain never truly left us; it continued to fall within our minds. This inner rain blended rain and rainlessness. At times pouring incessantly and faintly resented, and at other times gone but missed with intense yearning, rain was always there, like the river itself.”

Installation view, Sosa Joseph: Rain over the river, David Zwirner, New York, 2025 

Sosa Joseph, Racing the rain, 2025 (detail)

“The rains I remember have many colours and distinct characters [...] afternoon rains were brass and amber; night rains, blue and purple; and the clamouring showers we woke up to on drenched mornings, olive and grey.”

Installation view, Sosa Joseph: Rain over the river, David Zwirner, New York, 2025 

Sosa Joseph, The rooster’s crows gave her nausea, 2025 (detail)

Installation view, Sosa Joseph: Rain over the river, David Zwirner, New York, 2025 

Sosa Joseph, Rain over the river, 2024-2025 (detail)

Sosa Joseph, Devil’s hour, by the river, 2025 (detail)

Sosa Joseph, Devil’s hour, by the river, 2025 (detail)

 

Installation view, Sosa Joseph: Rain over the river, David Zwirner, New York, 2025 

“I realised it was not the rain itself I must paint, but what is rained over—the drenched and dampened lives and geography, transfixed by the rains, both inner and outer. These soaked, damp, and dry vignettes of life along the river—through rain and rainlessness—coalesce in my mind into a single, unbroken rain. Ever-present and timeless, much like the river. Because, for us, rainlessness is also a kind of rain.”

Installation view, Sosa Joseph: Rain over the river, David Zwirner, New York, 2025 

Sosa Joseph, Rain’s refugees, 2024-2025 (detail)

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