Au 108 rue Vieille du Temple: A Shared Legacy with Galerie Yvon Lambert

Installation view, Au 108 rue Vieille du Temple, David Zwirner Paris, 2026

Now Open

September 8—October 10, 2026

Opening Reception

Tuesday, September 8, 6–8 PM

Location

Paris

108 Rue Vieille du Temple

75003 Paris

Tue: 11 AM-8 PM

Wed, Thu, Fri, Sat: 11 AM-7 PM

Artists

David Zwirner is pleased to present Au 108 rue Vieille du Temple, a group exhibition that celebrates the legacy of our Paris gallery space and its history—both as the former site of Galerie Yvon Lambert and since 2019 as David Zwirner Paris. This expansive presentation marks forty years since the inauguration of Lambert’s gallery at the same address, 108, rue Vieille du Temple, on 20 September 1986.

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Nan Goldin, Yvon at Notre Dame de La Garde, Marseille, France, 1996

The gallery’s facade at 108, rue Vieille du Temple.

“To open a gallery you just need a space and the best artists. The thing that interests me has always been the true artists, the ones who bring something genuinely new.”

—Yvon Lambert

This exhibition highlights the affinities between Galerie Yvon Lambert and David Zwirner and showcases the artist-centric approaches that both gallerists have shared. Since opening his first gallery in Paris in the 1960s, Lambert was among the earliest to champion several artists who now form a foundational part of the David Zwirner program; he is celebrated for bringing postwar avant-garde American art to France and supporting many important French and European artists.  The exhibition presents thirty-two international artists who have shown with Yvon Lambert or David Zwirner over the years, many with both. Their work illustrates the transatlantic dialogue that shaped Lambert’s tenure as a gallerist and continues to resonate in an increasingly global art world.  Based in Le Marais since 1977, Yvon Lambert was the first to establish a gallery in the neighborhood. Two decades after opening his first gallery in Paris, Yvon Lambert moved to 108, rue Vieille du Temple, which he inaugurated in September 1986 with an exhibition of works by Cy Twombly.  In this new location, Lambert continued and expanded his legacy of promoting significant minimal, post-minimal, conceptual, and avant-garde artists. Lambert also broadened his focus to include painting, photography, and video, and continued to organize exhibitions that featured renowned artists of the time. His program at 108, rue Vieille du Temple was active for almost three decades until 2014.

Exhibitions at 108 rue Vieille du Temple: A Select History

On Kawara’s rigorous practice found a receptive audience in Paris, where he showed three times with Yvon Lambert (pictured: On Kawara: Date Paintings 1966-1987, 1988).

Cy Twombly was an important part of the program in exhibitions that linked American postwar painting with European audiences. Lambert’s space at 108 rue Vieille du Temple opened with a Twombly show in 1986 (pictured is an artist-designed invite from a 1980 exhibition with Lambert).

Richard Serra’s work was introduced to a wider European audience through exhibitions organized by Lambert (pictured: Richard Serra: Drawings, 1990).

Lambert was also a major champion of Sol LeWitt; pictured is an invite designed by the artist to his 1987 solo show.

 

Installation view, Au 108 rue Vieille du Temple, David Zwirner Paris, 2026

“I fall in love with places.”

—Cy Twombly

Exhibitions at 108 rue Vieille du Temple: A Select History (continued)

Lambert was one of the earliest European gallerists to support Jean-Michel Basquiat, most notably in a major solo exhibition in 1988

Lambert’s gallery was also one of the first in Europe to show Lawrence Weiner’s work, first exhibiting his language-based works in 1970 and with five solo exhibitions over the years. (This installation view is of a show at 108, rue Vieille du Temple in 2009.)

Barbara Kruger’s critical text-based works resonate with the conceptual and politically engaged practices of the Lambert program. This show card from 1999 is for a major solo presentation at the gallery.

Sol LeWitt was a major figure in the Lambert program, with fifteen solo exhibitions over the years.

A Weiner-designed show card from 1997.

 

Installation view, Au 108 rue Vieille du Temple, David Zwirner Paris, 2026

“All my work, I think, is out of need.”

—Nan Goldin

Exhibitions at 108 rue Vieille du Temple: A Select History (continued)

Lambert played a significant role in introducing the work of Anselm Kiefer to French audiences through six solo presentations in the gallery.

Nan Goldin’s intimate and unflinching photography was supported early on by Yvon Lambert, who presented her work across three solo exhibitions and in many group shows (pictured is the invite to her 2004 solo presentation).

Niele Toroni, whose work Lambert began showing in the 1970s, was closely associated with the gallery for many years, with 10 solo exhibitions in Le Marais space.

Louise Lawler’s investigations into the display and circulation of art echo the institutional awareness that helped shaped Lambert’s program. Lawler presented five solo shows over the years; the above installation image is from 2014.

 

“Sometimes doing something poetic can become political and sometimes doing something political can become poetic.”

—Francis Alÿs

Exhibitions at 108 rue Vieille du Temple: A More Recent History

After moving into 108 rue Vieille du Temple, David Zwirner inaugurated its first Paris gallery with an exhibition of new and significant works by Raymond Pettibon in 2019.

A major solo presentation of Dan Flavin’s work followed in the gallery in 2019, spanning three decades of the artist’s career.

In 2021, Francis Alÿs had his first solo exhibition in Paris, with the debut of a major body of work bringing together various media.

The works of Alberto Giacometti and Fred Sandback, artists who held complimentary ideas about the use of space and line, transformed the gallery in 2022, in a two-person exhibition.

In 2024, David Zwirner presented rarely seen early paintings by On Kawara at 108 rue Vieille du Temple, a nod to the artist’s long history at this location.

 

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